JADE RUDE

Solo for Piano explores the John “Cageian discipline” – a random procedure in the act of composition and the ability of a piece to be composed in many ways. A Portrait of John Cage’s Page 18, Solo for Piano, from Concert for Piano and Orchestra, as an art object - Reconficgured -explores the John “Cageian discipline” – a random procedure in the act of composition and the ability of a piece to be composed in many ways. Cage would often connect each note on the pages of his compositions, creating forms of chance. This project represents musical notes of ‘Page 18’ into three-dimensional means.